George Fenton, the acclaimed British composer whose music helped shape more than 100 films and some of television’s most celebrated nature documentaries, has died.

He was 76.

Fenton’s family confirmed his death but did not disclose a cause.

The news came as a shock to many in the entertainment industry because Fenton had remained professionally active until very recently.

Just weeks before his death, he had signed a new global publishing agreement and was reportedly working on at least three projects.

Fenton built a career that stretched across decades and earned him five Academy Award nominations.

Among his best-known film scores were Dangerous Liaisons, Gandhi, Groundhog Day and The Fisher King.

His work was known for its emotional range, moving easily between sweeping drama, comedy and more intimate character-driven stories.

Fenton also became closely associated with some of the most famous nature documentaries ever produced.

He composed music for The Blue Planet, Planet Earth and Frozen Planet, all narrated by legendary British broadcaster and naturalist Sir David Attenborough.

Those scores introduced his work to millions of viewers around the world and helped establish the grand, cinematic sound that became a hallmark of modern wildlife documentaries.

His television career extended far beyond nature programming.

Fenton also wrote recognizable themes for BBC news and current-affairs programs, including Newsnight and Breakfast Time.

Over the years, he worked across British and American productions and became one of the most respected composers in the industry.

He was also deeply involved in supporting other musicians and composers.

Fenton founded the Association of Professional Composers and served as a visiting professor at the Royal College of Music.

His family remembered him not only for his career but for the people he leaves behind.

Fenton is survived by his wife, Amanda, his former wife, Jane, three children and six grandchildren.

His death marks the loss of a composer whose music became part of some of the most recognizable films and television programs of the past several decades.

For moviegoers, documentary fans and television audiences, Fenton’s work was often heard before his name was ever known.

His scores, however, ensured that his presence would be felt long after the final scene faded from the screen.

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